G-DRAGON - Ubermensch - Blue Version - CD

The King of K-Pop Returns!

To those unfamiliar, G-DRAGON is regarded by many as the Godfather of K-Pop. Rising to fame in the mid-00's with his group, Big Bang, that later went on to become one of the world's biggest selling boy groups. He quickly stood out with his unique and intricate songwriting as the leader of the group. A talented songwriter and trendsetter within the youth culture and fashion space, G-DRAGON has received a bevy of awards, nominations for his music and fashion sense from the World Music Awards, to Hypebeast's 100 list, to Forbes' 30 Under 30 list, it's apparent that G-DRAGON has cemented his place in cultural relevance.

After serving his mandatory South Korean military service and a brief hiatus from music, the global superstar, G-DRAGON has returned! He announced that he signed with indie-powerhouse, EMPIRE, and released his first comeback single on October 31, 2024 with POWER to immediate global fanfare and buzz, with the music video garnering over 44 MILLION views in a month and over 115 MILLION global streams. He soon followed that up with an electrifying performance at the 2024 MAMA Awards show in Osaka coupled with the release of his new single, Home Sweet Home which has garnered 100 MILLION global streams since release.

G-DRAGON - Ubermensch - Pink Version - CD

The King of K-Pop Returns!

To those unfamiliar, G-DRAGON is regarded by many as the Godfather of K-Pop. Rising to fame in the mid-00's with his group, Big Bang, that later went on to become one of the world's biggest selling boy groups. He quickly stood out with his unique and intricate songwriting as the leader of the group. A talented songwriter and trendsetter within the youth culture and fashion space, G-DRAGON has received a bevy of awards, nominations for his music and fashion sense from the World Music Awards, to Hypebeast's 100 list, to Forbes' 30 Under 30 list, it's apparent that G-DRAGON has cemented his place in cultural relevance.

After serving his mandatory South Korean military service and a brief hiatus from music, the global superstar, G-DRAGON has returned! He announced that he signed with indie-powerhouse, EMPIRE, and released his first comeback single on October 31, 2024 with POWER to immediate global fanfare and buzz, with the music video garnering over 44 MILLION views in a month and over 115 MILLION global streams. He soon followed that up with an electrifying performance at the 2024 MAMA Awards show in Osaka coupled with the release of his new single, Home Sweet Home which has garnered 100 MILLION global streams since release.

Irish rock band The Murder Capital Return with their third studio album, Blindness, recorded in Los Angeles earlier this year with producer John Congelton (St Vincent, Angel Olsen, Sharon Van Etten) and featuring the recently released single ‘Can’t Pretend To Know’ and coming single ‘Words Lost Meaning’. Blindness is the vividly realised, clear-sightedly ambitious new album from The Murder Capital. A record that’s both momentous and charged with momentum. That’s intimate and simultaneously expansive. Eleven songs that don’t hang about in terms of grabbing the listener.

The beauty of The Devil Makes Three is the way they take an old-time musical genre and, by putting their own imprint on it, turn it into something that lives and breathes anew, passing the torch to a new generation, just as stateside rock fans learned about the likes of pioneers Little Richard, Chuck Berry, Jerry Lee Lewis and Buddy Holly from the first wave of British Invasion bands. With their latest album, Spirits, the band continues this tradition by incorporating their signature punk, folk and bluegrass sound along with country and singer-songwriter leanings. “That’s what we set out to do. We wanted to use these musical forms to talk about current issues,” explains Pete Bernhard. “We didn’t want to just sing about trains and mining and drinking. For myself, it didn’t seem relevant. Folk music should be about what’s happening now, just as it was when Woody Guthrie and Bob Dylan did it. Our music is not just a re-enactment of something old and dusty.” The song titles alone describe the band’s return to a stripped-down, drum-less sound and songs that reflect the ongoing struggle to survive amid the uncertainties of the current volatile climate: “Dark Gets the Best of You,” “Divide and Conquer,” “Ghost are Weak,” “Hard Times,” “I Love Doing Drugs,” “Poison Well” and “The Devil Wins.” The tracks were recorded at Dreamland, part of a converted church compound outside Woodstock in upstate New York which offered some haunted moments of its own, with plenty of spooky thunderstorms and lightning. “There’s definitely a theme of ghosts and death running through this album,” acknowledged Bernhard, who lost his mother, brother and closest childhood friend while making the record. “It also has a good amount of political material, a reflection on how divided people are these days, just trying to find common ground. Not being able to perform our music live led to some deep reflections.” The Devil Makes Three have a very loyal, dedicated and diverse fan base that wouldn't necessarily spend much time together. With Spirits the band hope to continue to bring together all sides to listen to the band's take on personal hardships as well as shared struggles.

On Sinister Grift, Panda Bear’s first solo album in five years, he has returned with another statement that feels equally cumulative and unprecedented in his catalog. While his solo records have ranged from starkly intimate expressions of grief to colorful, electronic opuses, his music has never before sounded so warm and immediate. Working in his Lisbon, Portugal home studio with Animal Collective bandmate Josh “Deakin” Dibb, Lennox transforms Panda Bear into something resembling an old-school rock ensemble, playing nearly all the instruments himself and inviting kindred spirits into the process such as Cindy Lee, Spirit of the Beehive’s Rivka Ravede, and—for the first time on a Panda Bear solo album—each of his Animal Collective bandmates.

Richard Russell has introduced the world to several generation's worth of era-defining musicians. But since 2017, the XL Recordings founder has used the Everything Is Recorded project to prove he's not merely a visionary record producer, or the founder of the most consequential independent record label of the past 35 years. He's a visionary artist in his own right, with a temperament so generous that his records are filled with the voices of the artists he's encouraged, shepherded, or spotlit along the way. Everything Is Recorded albums are feasts of collaboration, and his soul-enriching new album, Temporary, is no exception. The guest list overflows with incandescent talent: Florence Welch, Sampha, Bill Callahan, Jah Wobble, Kamasi Washington, Nourished by Time, Alabaster DePlume, Noah Cyrus. The silvery thread linking all these voices together is, of course, Richard Russell himself, by design the least visible member of Everything Is Recorded, but the only one who could have dreamed up this expanse to begin with. Russell began recording his collaborators' musings on death and loss early on in the process for Temporary, and although they only survive in two carefully crafted audio collages ("October," "The Summons") on Temporary, their power suffuses the record. These are the most luminous and relaxed compositions of Russell's career, reflecting a late-breaking fascination with British folk that dovetailed, not coincidentally, with Russell's own brush with mortality in 2013. What is folk music, after all, if not a record of the voices of the dead? His music dissolves the borders between sampled and recorded, between modernity and antiquity, life and death, now and forever.. He grasps the true meaning of his album's title: We may be, in fact, temporary. But our longing - for each other, for peace, for love and communion - goes on forever.

Billboard Heart, the new album by Deep Sea Diver, immediately puts the Seattle band in the company of St. Vincent, TV on the Radio, and Flock of Dimes, bands that have found newly ornate and magnetic ways to make indie rock by discarding notions of how it must sound or what it must say. It's their fourth album and first for Sub Pop, and it is a coup, a triumph over self-doubt, transforming failure into an opportunity to find new freedom, belief, and strength. In the middle of July 2023 in a Los Angeles studio, Deep Sea Diver mastermind Jessica Dobson took a guitar solo but somehow felt nothing. Just days earlier, her Seattle band played a series of semi-secret shows for devotees as de facto rehearsals for a new record. The sets had gone well, but the new songs seemed muddled, Dobson's conviction lost somewhere in the 1,000 miles between Southern California and the home studio she shares with partner, drummer, and frequent cowriter Peter Mansen. On that first night in Los Angeles, she broke down, wondering what she was doing there, and pondering how to fix it. Deep Sea Diver retreated home without an album. Did they need to scrap it, to begin again with new material? Not at all: Following a brief break, Dobson found a renewed sense of self, a trust in her vision for her band and songs and her ability to capture them. Over dinner with longtime collaborator Andy Park, a humbling confession that she needed help inspired Dobson to reimagine and reinvigorate Deep Sea Diver. This revelation set the stage for the power and brilliance of Billboard Heart, Three years before Dobson's galvanizing dinner with Park, Deep Sea Diver issued it's third album, 2020's Impossible Weight, via the colossal indie imprint, ATO. It was a significant step up, and earned the band a groundswell of exposure and a spot on Billboard charts. But the success caused Dobson to doubt her impulses, to wonder what an idea's impact or reception might be as much the strength of the idea itself. Moments of domestic creation, with her at the piano and Mansen on guitar in their Seattle living room, forged a path forward, and reinvigorated the pair's songwriting partnership. From end to end, the material on Billboard Heart is astonishing. The title track is the one song Deep Sea Diver actually finished in Los Angeles. It's a radiant and magnificent thing, the billowing synths of Elliot Jackson and tunneling pedal steel of Greg Leisz bolstering an anthem for fearlessly advancing into the future. "Emergency" links hardcore's vim to electroclash's instant allure with Dobson's captivating vocals and guitar work in the spotlight. Tender and vulnerable, "Tiny Threads" is a sweeping anthem for anyone trying to hold anything together-life, love, themselves. "If it haunts me, let it haunt me," Dobson sings softly over a stillness framed only by bass and noise. She let's her guitar careen into feedback, then steadily sculpts it into something tuneful. It's a lifetime of anxiety and sublimation, crystallized into 10 seconds. Billboard Heart feels that way at large.Billboard Heart emerged when Dobson trusted her instincts, a personal breakthrough that prompted an artistic one. It is, in turn, the best Deep Sea Diver album yet, a defiant and brilliant exclamation mark at the end of a long period of wandering.

Edwin McCain is back with Lucky, his first album of new material in 15 years. Produced by Lee Brice, Lucky features classic Edwin McCain songwriting and soulful performances, as well as guest vocal appearances by Brice, Matt Ramsey of Old Dominion, and Rebecca Lynn Howard. Called a “street corner prophet” by the USA Today, an “aching tenor” by Slate Magazine, and a “great American romantic” by the New York Times; Edwin rides a career wave created by recording two of the biggest love songs in the history of music (I’ll Be and I Could Not Ask For More), producing and starring in a tv series (Flippin’ Ships on Animal Planet), and touring the world singing and spinning stories. Edwin’s fans are clamoring for more, so Edwin McCain is back at full throttle. Not that Edwin’s music ever slows down. “American Idol” and “The Voice” contestants turn to Edwin’s ballads every year to help them win over judges and fans. Millions more have been turned on by pop icons Justin Bieber and Charlie Puth who have both covered Edwin’s songs. And look for a TV appearance or two by the artist himself very soon. Fresh off a summer of touring with friends Hootie and the Blowfish and Collective Soul, Edwin McCain will be on the road everywhere in 2025!