Music Releases 11-02-18
...And Justice For All: Remastered [2LP]
No Tourists [LP]
Garden of the Titans (Opeth Live at Red Rocks Amphitheatre) [2CD/Blu-ray/DVD]
She Remembers Everything [Pink LP]
Christmas Everywhere [Coal Colored LP]
Dead Can Dance
More Blood, More Tracks: The Bootleg Series Vol. 14
Negative Capability [LP]
Home Invasion: In Concert At The Royal Albert Hall [2CD/Blu-ray]
Visitant [Limited Edition Grey LP]
The Moody Blues
In Search Of The Lost Chord: 50th Anniversary [LP]
Hey! Merry Christmas! [LP]
Movie Releases 11-02-18
Back To Black [Blu-ray]
The Rolling Stones
Sympathy For The Devil [4K - 50th Anniversary Edition Blu-ray]
Christopher Robin [Movie]
The Incredibles [Movie]
Music Releases 11-09-18
Multi-platinum, Grammy Award-winning band Imagine Dragons will release their fourth studio album, entitled Origins, on November 9th. Origins was conceived as a sister album to Evolve, which was certified double-platinum within a year of its release and spawned three No.1 hits. The new album, Origins includes the band’s current #1 single “Natural”, as well as “Zero”, from Walt Disney Animation Studio’s upcoming film Ralph Breaks The Internet.
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In November 1968, millions of double LPs were shipped to record stores worldwide ahead of that tumultuous year’s most anticipated music event: the November 22nd release of The BEATLES (soon to be better known as ‘The White Album’). With their ninth studio album, The Beatles took the world on a whole new trip, side one blasting off with the exhilarating rush of a screaming jet escorting Paul McCartney’s punchy, exuberant vocals on “Back In The U.S.S.R.” “Dear Prudence” came next, John Lennon warmly beckoning his friend and all of us to “look around.” George Harrison imparted timeless wisdom in “While My Guitar Gently Weeps,” singing, “With every mistake we must surely be learning.” Ringo Starr’s “Don’t Pass Me By” marked his first solo songwriting credit on a Beatles album. For 50 years, ‘The White Album’ has invited its listeners to venture forth and explore the breadth and ambition of its music, delighting and inspiring each new generation in turn.
On November 9, The Beatles will release a suite of lavishly presented ‘White Album’ packages (Apple Corps Ltd./Capitol/UMe). The album’s 30 tracks are newly mixed by producer Giles Martin and mix engineer Sam Okell in stereo and 5.1 surround audio, joined by 27 early acoustic demos and 50 session takes, most of which are previously unreleased in any form.
“We had left Sgt. Pepper’s band to play in his sunny Elysian Fields and were now striding out in new directions without a map,” says Paul McCartney in his written introduction for the new ‘White Album’ releases.
This is the first time The BEATLES (‘White Album’) has been remixed and presented with additional demos and session recordings. The album’s sweeping new edition follows 2017’s universally acclaimed Sgt. Pepper’s Lonely Hearts Club Band Anniversary Edition releases. To create the new stereo and 5.1 surround audio mixes for ‘The White Album,’ Martin and Okell worked with an expert team of engineers and audio restoration specialists at Abbey Road Studios in London. All the new ‘White Album’ releases include Martin’s new stereo album mix, sourced directly from the original four-track and eight-track session tapes. Martin’s new mix is guided by the album’s original stereo mix produced by his father, George Martin.
“In remixing ‘The White Album,’ we’ve tried to bring you as close as possible to The Beatles in the studio,” explains Giles Martin in his written introduction for the new edition. “We’ve peeled back the layers of the ‘Glass Onion’ with the hope of immersing old and new listeners into one of the most diverse and inspiring albums ever made.”
Charles Bradley's forthcoming LP, Black Velvet is an extraordinary collection of 10 tracks making their LP debut. In addition to fan favorites like Charles covers of Nirvanas 'Stay Away', Neil Young's 'Heart Of Gold', and Rodriguez's 'Slip Away' - this album features 4 never-before-heard tracks from Producer Tommy 'TNT' Brenneck's vaults.
Set for release on November 9, the bands fourth LP 'Take Good Care' is previewed with the first single 'All My Friends,' a song brimming with confidence that unleashes the bands next chapter. The track which is already Top 3 at AAA and Top 10 at Modern Rock. 'All my Friends' will cross over to Hot AC in early October followed by Top 40. This is just the start! 'You Said it All', 'Oh No' and 'Some People Say' are just a few of the potential chart-toppers in this collection, which was co-produced with Dave Cobb (Sturgill Simpson, Chris Stapleton) and Andrew Dawson (Kanye, Fun) it's a project showcasing new found depth and craft that mark a band bent on proving they are far more than a band synonymous with a single song.
14 tracks spanning Laura Jane Grace's fractured relationship with her adopted hometown of Chicago, true friendship, complicated romance, and reconciling everything in the end, Bought to Rot stands as the most musically diverse collection of songs Grace has written to date. Inspired in large part by Tom Petty's Full Moon Fever, the first album Grace ever owned, Bought to Rot finds her at the same age Petty was when he created his solo debut masterpiece. In light of his recent passing, Grace was motivated to pay homage to one of her lifelong heroes. Laura Jane Grace & the Devouring Mothers are Laura Jane Grace, Atom Willard, and Marc Jacob Hudson. Grace is a musician, author, and activist best known as the founder, lead singer, songwriter, and guitarist of the punk rock band Against Me!. Willard, also of Against Me!, is a drummer who has played in iconic punk bands such as Rocket from the Crypt, Social Distortion, and The Offspring. Devouring Mothers bassist Hudson is a recordist and mixer at Rancho Recordo, a recording studio and creative space in the woods of Michigan, and the sound engineer for Against Me!.
Old 97's founding member Rhett Miller returns with his 7th solo album, The Messenger. Recorded earlier over five days at The Isokon in Woodstock, NY with producer/musician Sam Cohen (Kevin Morby, Benjamin Booker), The Messenger sees Miller playing it faster and looser than perhaps any other time in his quarter century career, instilling what might be his most personal songs to date with a groovy limberness that belies the reflective darkness within. Backed by a white hot backing combo comprised of Cohen (Electric & Acoustic Guitars, Pedal Steel Guitar, Piano, Organ, Second Drumset), Brian Betancourt (Bass), and Ray Rizzo (Drums), Miller goes deep into his own youthful experiences with suicide and depression, placing "a long distance phone call to myself as a 14-year-old" on surprisingly buoyant new songs like "The Human Condition" and "Permanent Damage."
Near the end of Reagan's first term, the Western Massachusetts Hardcore scene coughed up an insanely shaped chunk called Dinosaur. Comprised of WMHC vets, the trio was a miasmic tornado of guitar noise, bad attitude and near-subliminal pop-based-shape-shifting. Through their existence, Dinosaur (amended to Dinosaur Jr. for legal reasons) defined a very specific, very aggressive set of oblique song-based responses to what was going on. Their one constant was the scalp-fryingly loud guitar and deeply buried vocals of J Mascis. A couple of years before they ended their reign, J cut a solo album called Martin + Me. Recorded live and acoustic, the record allowed the bones of J's songs to be totally visible for the first time. Fans were surprised to hear how melodically elegant these compositions were, even if J still seemed interested in swallowing some of the words that most folks would have sung. Since then, through the reformation of the original Dinosaur Jr lineup in 2005, J has recorded solo albums now and then. And those album, Sings + Chant for AMMA (2005), Several Shades of Why (2011) and Tied to a Star (2014) had all delivered incredible sets of songs presented with a minimum of bombast and a surfeit of cool. Like its predecessors, Elastic Days was recorded at J's own Bisquiteen studio. Mascis does almost all his own stunts, although Ken Miauri (who also appeared on Tied to a Star) plays keyboards and there are a few guest vocal spots. These include old mates Pall Jenkins (Black Heart Procession), and Mark Mulcahy (Miracle Legion, etc.), as well as the newly added voice of Zoë Randell (Luluc) among others. But the show is mostly J's and J's alone. He laughs when I tell him I'm surprised by how melodic his vocals seem to have gotten. Asked if that was intentional, he says, “No. I took some singing lessons and do vocal warm-ups now, but that was mostly just to keep from blowing out my vocal cords when Dino started touring again. The biggest difference with this record might have to do with the drums. I'd just got a new drum set I was really excited about. I don't have too many drum outlets at the moment, so I played a lot more drums than I'd originally planned. I just kept playing. [laughs] I'd play the acoustic guitar parts then head right to the drums.” There is plenty of drumming on the dozen songs on Elastic Days. But for those expecting the hallucinatory overload of Dinosaur Jr's live attack, the gentleness of the approach here will draw easy comparisons to Neil Young's binary approach to working solo versus working with Crazy Horse. This is a lazy man's shorthand, but it still rings true. Elastic Days brims with great moments. Epic hooks that snare you in surprisingly subtle ways, guitar textures that slide against each other like old lovers, and structures that range from a neo-power-ballad (“Web So Dense”) to jazzily-canted West Coasty post-psych (“Give It Off”) to a track that subliminally recalls the keyboard approach of Scott Thurston-era Stooges (“Drop Me”). The album plays out with a combination of holism and variety that is certain to set many brains ablaze. J says he'll be taking this album on the road later in the year. He'll be playing by himself, but unlike other solo tours he says he'll be standing up this time. “I used to just sit down and build a little fort around myself -- amps, music stands, drinks stands, all that stuff. But I just realized it sounds better if the amps are higher up because I'm so used to playing with stacks. So I'll stand this time.” I ask if it's not pretty weird to stand alone on a big stage. “Yeah,” he says. “But it's weird sitting down too.” Ha. Good point. One needs to be elastic. In all things. --Byron Coley
ARCHITECTS UK are a band who’ve never shied away from challenging the world around them. After suffering the loss of co-founder /guitarist Tom Searle to cancer in 2016, the band returned to the road and the studio in 2017 releasing the hit track “Doomsday”, which climbed the Active Rock Radio charts and went on to be one the bands most successful songs. Long lauded as some of modern metal’s most progressive-thinking minds, for the past decade, the quintet have pushed boundaries, redefined genres, and never feared having to question themselves in order for their art to leave its mark on this Earth. ARCHITECTS UK, are a band like few others; The quintet all practice a vegan lifestyle, tour with a consciousness about their footprint on the world, and devote time and energies to environmental causes. Their 8th studio album, Holy Hell is the return to the studio for a band that have come through the grieving process with more drive and determination than ever before. Drummer Dan Searle- Desbiens takes on the helm as lyricist and writes music with his bandmates vocalist Sam Carter, guitarist Adam Christianson, bassist Alex Dean and new guitarist Josh Middleton. For the follow-up to their 2016 album All Our Gods Have Abandoned Us , ARCHITECTS UK recorded at Middle Farm Studios in Devon, UK with bandmates Dan Searle Desbiens and Josh Middleton behind the board as producers.
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In celebration of the 50th anniversary of the release of the Jimi Hendrix Experience masterpiece Electric Ladyland, Experience Hendrix and Legacy Recordings present a special Deluxe Edition box set.
Sarah Brightman returns with her new studio album, HYMN, reuniting with long time producer and collaborator Frank Peterson, with whom she created chart topping albums such as Timeless (Time To Say Goodbye), Eden, La Luna, Harem, Symphony, and A Winter Symphony. HYMN is an inspirational collection of orchestrated, choir-based songs. Brightman, kept thinking about the word, HYMN, and to her it suggested joy a feeling of hope and light, something that is familiar and secure. For Brightman, every project comes from an emotional place, and HYMN is no exception. HYMN was recorded over the past two years in Hamburg, Miami, London, Vancouver, Los Angeles, New York, and Budapest, and encompasses songs by such modern composers as Eric Whitacre (Fly To Paradise), Japanese superstar musician and songwriter Yoshiki (Miracle), and German DJ Paul Kalkbrenner (Sky and Sand). HYMN's mystical, uplifting tone is set with its title track a song by British prog-rock band Barclay James Harvest. From there, the album becomes excitingly eclectic, encompassing many styles. Sogni, described as a mash-up of two arias from two different operas by French composer Georges Bizet, is flawlessly sung by Brightman and French tenor Vincent Niclo. Also included are Canto Per Noi, written by famed Italian composer Ennio Morricone and Romano Musumarra, and Follow Me, the love theme from the 1962 film Mutiny on the Bounty. Finally, the album closes with a new rendition of Brightman s signature smash duet with Andrea Bocelli, Time To Say Goodbye, in a new solo rendition with lyrics Sarah wrote herself, and sung in English for the first time.
The A and B-sides of the ten singles Marianne recorded for UK Decca between 1964 and 1969, plus her Go Away From My World EP for good measure. All tracks are in authentic mono, just like the actual 45s. Mastered from the best possible sources, including some fresh Abbey Road transfers of the original tapes. The CD features Marianne s Top 20 hits As Tears Go By , Come And Stay With Me , This Little Bird and Summer Nights , plus lesser-known gems such as 'Something Better', That s Right Baby , House Of The Rising Sun , Counting and the controversial cult favorite Sister Morphine . Producers include Andrew Loog Oldham, Mike Leander, Tony Calder and Mick Jagger. Packaged in a sumptuous 24-page booklet boasting a 6000-word note by leading music journalist Kris Needs featuring many illuminating quotes from Marianne herself. In addition to the gorgeous cover shot by photographer Tom Frank, the CD booklet also includes seven stunning full-page color portraits from the mid-60s.
There is an enormous and curiously shaped hole in the story of the Glands, the on-again/mostly off-again duo or quartet or sometimes quintet but let's just say band from Athens, Georgia, who released only two albums of weird, irascible, irresistible indie rock before band leader Ross Shapiro died in 2016. He wrote the songs, he sang the songs, he played guitar, and he gathered around him a bunch of close friends to play them. He inspired many people around town, frustrated many others, and generally proved to be a painstaking artist with an ear for catchy melodies, a very grim sense of humor, a taste for reheated Dunkin Donuts coffee, a supernaturally exhaustive knowledge of Grateful Dead bootlegs, and a creativity that extended beyond music to the strange portraits he painted and the odd shapes he sculpted. Ross' passing left a hole in Athens, in the community where he had become a fixture and arguably even a celebrity of sorts. And there really is something heroic about his career as an artist, something noble to a life devoted to creativity and creation, even if that mostly means jamming with friends. The Glands first two albums established Ross as an unlikely and maybe even unwilling cult artist; you could argue that not enough people bought Double Thriller and The Glands, but everyone who did became avid fans for life. And even though we only have access to an infinitesimal portion of the music he made, these two albums' and now this third! (Double Coda) add invaluable detail and nuance to our portrait of Ross Shapiro. We can see him reflected back to us in his songs: a guy whose grumpiness hid a big heart and whose reticence could not obscure his talent and vision. (Stephen Deusner)
Since exploding onto the global stage in 1993 with the multi-platinum ''Tuesday Night Music Club'' album, the one-time music teacher and studio vocalist from Kennett, Missouri has forged a career to become the finest female singer/songwriter of her generation.
On November 10, 2017, at the historic Capitol Theatre in Port Chester New York, Sheryl Crow played the final night of her ''Be Myself'' tour. The show features Sheryl with her all new band in top form, performing new songs from her 8th studio album. featuring the Title Track ''Be Myself'' along with her newest hits ''Halfway There'' and ''Atom Bomb'' , and featuring her classic hits including Comon' Comon All I Wanna Do, Leaving Las Vegas , First Cut Is The Deepest, Soak Up The Sun, If It Makes You Happy and many more hits.
This Film also features a vintage Black and White flashback introduction of many Legends who have graced the Capitol Theatre stage over the years, interspersed with exclusive interview segments with Sheryl recently filmed at her Farm in Nashville.
Includes her classic hits ''Comon' Comon'', ''All I Wanna Do'', ''Leaving Las Vegas'', ''First Cut Is The Deepest'', ''Soak Up The Sun'', ''If It Makes You Happy'' and many more hits!
Ace Of Cups, the beloved all-women rock group from the late 60s Haight-Ashbury psychedelic scene, will release their self-titled, debut studio album on November 9th via High Moon Records. Produced by Dan Shea (Santana, Jennifer Lopez), this album includes both newly recorded songs written between 1965 and 1969 and new originals written over the past decade. The record features contributions from friends like Bob Weir (Grateful Dead), Jorma Kaukonen and Jack Casady (Jefferson Airplane, Hot Tuna), Taj Mahal, Buffy Sainte-Marie, and many more. During their original run from 1967 to 1972, Ace of Cups - Mary Gannon (bass), Marla Hunt (organ, piano), Denise Kaufman (guitar, harmonica), Mary Ellen Simpson (guitar), and Diane Vitalich (drums) - wrote and sang together as one of the area's first all-women bands, and they were known throughout the Bay Area for their instrumental mastery and social commentary-driven rock n roll; Jimi Hendrix even gave them a shout out in Melody Maker after they opened for him at Golden Gate Park. The band never officially recorded any music, and their only release was a 2003 compilation of informal recordings. Ace Of Cups is the first proper showcase of the band's freewheeling spirit that blends multi-colored rock with elements of roots and folk.
Movie Releases 11-09-18
Star Trek: Discovery follows the voyages of Starfleet on their missions to discover new worlds and new life forms, and one Starfleet officer who must learn that to truly understand all things alien, you must first understand yourself.
Over 2 hours of exclusive special features, with never-before-seen cast and crew interviews, deleted scenes, and more!
Young Keda tries to survive alone in the wilderness after he's left for dead during his first hunt with his Cro-Magnon tribe. He soon forms an unlikely alliance with a lone wolf that was abandoned by its pack. Facing overwhelming odds and nonstop danger, Keda and the wolf must now trek through a harsh and unforgiving landscape to make it home before winter.
Music Releases 11-16-18
The Good, The Bad & The Queen
Merrie Land [LP]
Mumford & Sons
Shiny And Oh So Bright, Vol. 1 / No Past. No Future. No Sun. [LP]
Chris Cornell [2LP]
The Black Eyed Peas
Masters Of The Sun Vol. 1
Andrew McMahon in the Wilderness
Upside Down Flowers [LP]
Chris Robinson Brotherhood
Betty's Midwestern Magic Blends [3LP]
Love The Holidays [Red & Green Splatter LP]
Live In Manchester [2LP]
Down The Road Wherever [2LP]
Glen Sings For The King [LP]
Hemispheres: 40th Anniversary [3LP]
The Complete Cuban Jam Sessions [CD Box Set]
August Burns Red
Winter Wilderness EP [White Vinyl]
Those Damn Crows
Murder And The Motive [LP]
Rufus Du Sol